I recently returned from another trip to Wisconsin – working on the final Johnston disc. There we were, once again, rehearsing in the middle of nowhere, with yet another Canadian (music critic and Prof. Paul Rapoport) looking on.
This project really does take on Field of Dreams overtones (so to speak)….. play it and they will come.
Rapoport wrote the following words in the April 2012 issue of Tempo:
“In uniting acoustics and intuition, Johnston has likely composed the most astounding harmonic spectra in Western music. Sometimes American, sometimes obsessive, often beautiful, and always rewarding, his music in pure tunings is inspiring in many ways. It raises a fundamental question to which we now know not just the answer but the solution: Where has this music been all these centuries? We have been listening through a glass, darkly; but now face to face.”